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Now that was a pandemic

by John Burdick
April 29, 2020
in Village Voices
2
Why did the Spanish flu kill so many people?

A normal flu epidemic kills about one in a thousand of those who contract the disease. But the 1918 Spanish flu was a hundred times deadlier, especially in vulnerable demographics, which oddly included what is normally the hardiest age group: the 20-to-40-year-olds. (Above) An emergency hospital at Camp Funston, Kansas, cared for large numbers of soldiers sickened by the 1918 flu. Photo from National Museum of Health and Medicine, Armed Forces Institute of Pathology, Washington, DC.

Spring chases itself through the trees of the village on the first nice day in about 83 years. The streets of New Paltz are not empty, a little disconcertingly not empty. As I make my daily trek to my mother’s house across town, I just imagine it is Halloween and that for some reason nearly everyone chose a kind of half-assed surgeon’s costume this year. What are the odds?

Today, I head to my mother’s with a bit of burning question in my mind — an historical question for her, an historical being. Anything to get our minds off the acute worry-go-round, I guess of this time and this stage of life. Today some stray link clicking on the CDC website led to an hour engrossed in the story of the Spanish flu.

Spanish influenza set a pretty high bar for global pandemics. Its tallies are staggering: an estimated 52 million dead between 1918 and 1920 worldwide, among them nearly 700,000 Americans. A full two percent of the world’s population fell to it.

Lest we minimize it as some kind of planetary herd thinning of the elderly and infirm, Spanish flu had an appetite for those in the 15-to-35 age range, a population — when you think about it — that had just been pretty aggressively pruned by World War One. Science still doesn’t fully understand this unique property of the 1918 H1N1.

The seamless continuum of ruin that the Spanish flu forms with the Great War may alone explain why the worst of all modern pandemics doesn’t stand out more historically. Civilization, it seems, was inured to acute, voracious tragedy. Everything was already fully disrupted when it hit. The fragmented disjunctions and violence of modernist art, we are taught, were a direct consequence and expression of World War I. The old forms in all the arts no long made sense in a world of war-ravaged social foundations. Methinks Spanish flu may be under-credited for its role in the music of Schoenberg and the poetry of Eliot.

I ask my mother, who turns 93 in days and who was born less than a decade after that historic viral outbreak began, whether awareness of Spanish flu was fresh, the wounds still open, during her childhood.

“Maybe,” she says, I don’t know.”

Ask her about the crash and the Depression, which began in October of her third year on earth, and you get a very different response.

Tags: John Burdick Village Voices
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John Burdick

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