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Last call: Catch “River Crossings” at Olana & Thomas Cole historic sites

by Frances Marion Platt
April 1, 2016
in Art & Music
0
“Question,” by Martin Puryear in Olana’s Court Hall. (Peter Aaron | OTTO)
“Question,” by Martin Puryear in Olana’s Court Hall. (Peter Aaron | OTTO)

Back in May, the Hudson River School of painting went 21st-century and bicoastal with a landmark collaborative exhibition titled “River Crossings: Contemporary Art Comes Home,” jointly hosted by the Thomas Cole National Historic Site in Catskill and Olana State Historic Site on the outskirts of Hudson. The exhibition, showcasing top artists of today whose work takes inspiration from the Valley’s seminal 19th-century nature-based art movement, got rave notices and was just featured last weekend on CBS Sunday Morning.

But time is running out to catch this terrific exhibit, if you haven’t yet: “River Crossings” closes on November 1. To accommodate the crowds expected during the popular show’s last couple of weeks, the two venues’ usual six-day schedule has been expanded to include Mondays. So by the time you read this, you’ll have one extra day – Monday, October 26 – to cross this off your culture-vulture hit list. The Cole site’s executive director, Betsy Jacks, notes that “the next two weeks are our busiest time of the year,” and Sean Sawyer, president of the Olana Partnership, calls the show “a unique opportunity to see this grouping of internationally renowned contemporary artists in the context of two of America’s most significant historic artists’ homes.”

Curated by Stephen Hannock and Jason Rosenfeld, PhD, “River Crossings” includes works by Romare Bearden, Elijah Burgher, Chuck Close, Will Cotton, Gregory Crewdson, Lynn Davis, Jerry Gretzinger, Don Gummer, Duncan Hannah, Stephen Hannock, Valerie Hegarty, Angie Keefer with Kara Hamilton and Kianja Strobert, Charles LeDray, Maya Lin, Frank Moore, Elizabeth Murray, Rashaad Newsome, Thomas Nozkowski, Stephen Petegorsky, Martin Puryear, Cindy Sherman, Sienna Shields, Kiki Smith, Joel Sternfeld, Letha Wilson and Elyn Zimmerman, in addition to selected complementary work by Thomas Cole and Frederic Church from the permanent collections.
For more information or to schedule your tour, visit www.rivercrossings.org. To read more about this landmark exhibition, read this Almanac Weekly interview with curator Stephen Hannock: https://bit.ly/1AbyLT9.

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Frances Marion Platt

Frances Marion Platt has been a feature writer (and copyeditor) for Ulster Publishing since 1994, under both her own name and the nom de plume Zhemyna Jurate. Her reporting beats include Gardiner and Rosendale, the arts and a bit of local history. In 2011 she took up Syd M’s mantle as film reviewer for Alm@nac Weekly, and she hopes to return to doing more of that as HV1 recovers from the shock of COVID-19. A Queens native, Platt moved to New Paltz in 1971 to earn a BA in English and minor in Linguistics at SUNY. Her first writing/editing gig was with the Ulster County Artist magazine. In the 1980s she was assistant editor of The Independent Film and Video Monthly for five years, attended Heartwood Owner/Builder School, designed and built a timberframe house in Gardiner. Her son Evan Pallor was born in 1995. Alternating with her journalism career, she spent many years doing development work – mainly grantwriting – for a variety of not-for-profit organizations, including six years at Scenic Hudson. She currently lives in Kingston.

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