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150 years of theater, music & film history at the Bardavon

by Frances Marion Platt
May 9, 2019
in Local History
1
150 years of theater, music & film history at the Bardavon

Inside the Bardavon Opera House (Photo courtesy of the Bardavon)

Inside the Bardavon Opera House (Photos courtesy of the Bardavon)

The festivities go on all through 2019 as the Bardavon marks its 150th anniversary as the oldest continuously operating theater in New York State. Designed by eminent local architect J. A. Wood and opened to the public on February 1, 1869, the Collingwood Opera House was a late addition to an office building that British-born entrepreneur James Collingwood had built in 1864 on the site of a coal and lumberyard that he owned on Poughkeepsie’s Market Street. Where the theater lobby now stands was once an archway allowing horse-drawn carriages to enter the building’s courtyard. The Collingwood family owned and operated the theater for the next 50 years, presenting such legendary names as Mark Twain, Buffalo Bill Cody, John Philip Sousa, George M. Cohan, Ignacy Paderewski, Jascha Heifetz, Ruth St. Denis, Isadora Duncan, Edwin Booth, Sarah Bernhardt, Douglas Fairbanks, John and Ethel Barrymore and Helen Hayes (in her first starring role).

In 1923, the theater was sold and converted to a “combination house” showcasing vaudeville performers, stock and dance companies and silent movies. It was renamed after the original Bard of Avon, William Shakespeare, a painting of whom was added to the space as part of a major renovation that shrank the capacity of the theater from 2,000 to 944 seats, but improved its acoustics. The Mighty Wurlitzer pipe organ that still graces the house was installed in 1928. Broadway shows began using the Bardavon as a space for out-of-town tryouts, and it was also the site of many political rallies, often featuring members of the Roosevelt dynasty.

View of the Bardavon marquee and Market Street in Poughkeepsie in 1926.

From the 1930s onward, the Bardavon became progressively more focused on the screening of movies, and by the 1970s the surge in construction of mall cineplexes was threatening its financial viability. It closed in 1975 and was slated for demolition, to be replaced with a parking lot.

Fortunately, community preservation activists rallied to save the historic building and formed a not-for-profit organization to keep it running as a theater and concert hall. It was added to the National Register of Historic Places in 1977 and back in business as the Bardavon 1869 Opera House by 1979, with some $10 million worth of restoration work proceeding in phases ever since. The Bardavon has been the home of the Hudson Valley Philharmonic for over 40 years.

Stellar names in the contemporary arts world including Joshua Bell and John Malkovich will be added to the ever-growing roster of world-class performers to have played at the Bardavon. For updates on these performances and sesquicentennial events in the works, visit www.bardavon.org.

Join the family! Grab a free month of HV1 from the folks who have brought you substantive local news since 1972. We made it 50 years thanks to support from readers like you. Help us keep real journalism alive.
- Geddy Sveikauskas, Publisher

Frances Marion Platt

Frances Marion Platt has been a feature writer (and copyeditor) for Ulster Publishing since 1994, under both her own name and the nom de plume Zhemyna Jurate. Her reporting beats include Gardiner and Rosendale, the arts and a bit of local history. In 2011 she took up Syd M’s mantle as film reviewer for Alm@nac Weekly, and she hopes to return to doing more of that as HV1 recovers from the shock of COVID-19. A Queens native, Platt moved to New Paltz in 1971 to earn a BA in English and minor in Linguistics at SUNY. Her first writing/editing gig was with the Ulster County Artist magazine. In the 1980s she was assistant editor of The Independent Film and Video Monthly for five years, attended Heartwood Owner/Builder School, designed and built a timberframe house in Gardiner. Her son Evan Pallor was born in 1995. Alternating with her journalism career, she spent many years doing development work – mainly grantwriting – for a variety of not-for-profit organizations, including six years at Scenic Hudson. She currently lives in Kingston.

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