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Popping Pop’s bubble

by Frances Marion Platt
August 29, 2016
in Art & Music, Stage & Screen
0
Robert Cenedella in 1988 in his Manhattan studio.
Robert Cenedella in 1988 in his Manhattan studio.

In 1811, young poet-to-be Percy Bysshe Shelley was expelled from Oxford University for anonymously publishing a pamphlet titled The Necessity of Atheism. Nearly 150 years later, during the Cold War era, young painter-to-be Robert Cenedella was expelled from the High School of Music and Art in New York City for writing a letter to the principal ridiculing the air raid drills that in those days required students to “duck and cover” under their desks in preparation for a nuclear attack. Sounds more like good sense than satire today, but Cenedella’s little act of rebellion set the tone for a life in the arts that defied (and still does) all the musts, oughts and shoulds of 20th-century cultural trendsetters.

A contemporary of Andy Warhol, Cenedella has been characterized as the “anti-Warhol,” calling out Pop Art as an emperor with no clothes on and rejecting the success that might have come to him much sooner had he been willing to succumb to the lure of crass commercialization. He had the misfortune to fall in love with representational, social-realist styles of art at a time when first abstraction and then ironic cool were all the rage. Even so, over time, Cenedella’s vast canvases, rife with the chaotic beauty of politics, humor, history and humanity, drew admirers from all walks of society – even from the vaunted art patrons who rejected him.

Some characters seem to survive adverse times through sheer orneriness, and today Cenedella has finally become a voice to be reckoned with amongst the art-world cognoscenti. In his youth a student, protégé and friend of German artist George Grosz, Cenedella is now passing on the legacy of Grosz’s approach to art, in the very same room at the Art Students League where Grosz once taught. And he is now the subject of a documentary titled Art Bastard, directed by Victor Kanefsky, that opens on Friday, July 8 at Upstate Films Woodstock. The new film is described as “a portrait of the artist as a young troublemaker, an alternate history of modern art and a quintessential New York story.”

The documentary will be shown at Upstate Films in Woodstock starting on July 8. Better yet, the man himself is coming to the theater on Tinker Street for a special screening followed by a Q & A on Sunday, July 10 at 2 p.m. After the film and talk, there will be a reception for the artist just down the street at the Woodstock Artists Association and Museum (WAAM). Entry to the festivities costs $15 general admission, $12 for seniors and $10 for members of Upstate Films and/or WAAM. This is a terrific opportunity to hear from a gifted, honest, take-no-prisoners iconoclast whose stubborn resistance to the vagaries of aesthetic fashion has been vindicated by time. For more info, call (845) 876-4546, extension 2, or visit https://upstatefilms.org/coming-soon/art-bastard.

 

Special screening of Art Bastard on Sunday, July 10 at 2 p.m. followed by Q&A with artist Robert Cenedella at Upstate Films Woodstock, 132 Tinker Street, Woodstock; (845) 679-6608, www.upstatefilms.org. Reception to follow at Woodstock Artists Association & Museum, 28 Tinker Street, Woodstock; (845) 679-2940, www.woodstockart.org. $15 general admission, $12 for seniors and $10 for members of Upstate Films and/or WAAM.

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Frances Marion Platt

Frances Marion Platt has been a feature writer (and copyeditor) for Ulster Publishing since 1994, under both her own name and the nom de plume Zhemyna Jurate. Her reporting beats include Gardiner and Rosendale, the arts and a bit of local history. In 2011 she took up Syd M’s mantle as film reviewer for Alm@nac Weekly, and she hopes to return to doing more of that as HV1 recovers from the shock of COVID-19. A Queens native, Platt moved to New Paltz in 1971 to earn a BA in English and minor in Linguistics at SUNY. Her first writing/editing gig was with the Ulster County Artist magazine. In the 1980s she was assistant editor of The Independent Film and Video Monthly for five years, attended Heartwood Owner/Builder School, designed and built a timberframe house in Gardiner. Her son Evan Pallor was born in 1995. Alternating with her journalism career, she spent many years doing development work – mainly grantwriting – for a variety of not-for-profit organizations, including six years at Scenic Hudson. She currently lives in Kingston.

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