Sunday, October 14: Pianist Hiroko Sakurazawa introduces a new concert series in a new venue that doesn’t even have a piano. “George Tsontakis, one of our great local musicians and a friend, helped to find and contact these performers. Since there is no piano at the venue, George reached out to some of his friends, including harpist Nancy Allen [of the New York Philharmonic] and violinist Phil Setzer [of the Emerson Quartet]. I am grateful that we could have such distinguished performers here ‘in the middle of nowhere’.”
Maverick Concerts concluded its 2018 summer season with two full weekends of music.
Saturday, August 25: Maverick Concerts’ music director Alexander Platt has enlisted players from the Caroga Arts Ensemble; singers from the Phoenicia Festival of the Voice; and members of Actors & Writers to read the poems.
Trio con Brio Copenhagen’s playing of Beethoven’s “Ghost” Trio, Op. 70, No. 1 was about as fine a version of that piece as I’ve ever heard, vigorous and energetic with powerful accents, appropriately creepy in the second movement, and with very good balance.
July 10-27: The Festival is full of events open to the public, ranging from master classes to full-length recitals, but its main focus is on the 25 students who come from literally around the world to study with master teachers.
This year, the theme is “Americans in Paris,” seven concerts concentrating in part on the work of Ned Rorem, the American composer who turns 95 in October.
The big classical music event of January in our area was the Woodstock Chamber Orchestra’s concert at the Woodstock Playhouse on January 6.
Saturday, September 2: Ingrid Sertso, Karl Berger and their All-Star Octet to honor the great experimental jazz trumpeter
Saturday, July 8: His source material comes from the works of Hildegard von Bingen, the great 12th-century mystic nun.
The audience responded to contemporary music string quartet called ETHEL enthusiastically.