John Kleinhans has been photographing the creative people he has known in Woodstock – many of them painters and sculptors – for 40 years. Of the more than 80,000 images he has produced over the four decades, a carefully selected 94 are currently on exhibit at the Historical Society of Woodstock’s facility at 20 Comeau Drive on weekend afternoons from one to five p.m.
These are digital snapshots, not carefully staged studio portraits, “Records of unplanned encounters with friends, co-workers and casual acquaintances,” as Kleinhans puts it in the foreword of the exquisitely produced catalog entitled “Woodstock Personalities.” The expansive circle of Kleinhans’ friends and acquaintances know that he and his camera are virtually inseparable. His friends are used to him moving around or making a quick suggestion before snapping one or several shots. The result can be an extraordinary display of the social intimacy among old friends – creative Woodstock at its best.
For the creative people of Woodstock, life is a labor of love – and a bunch of other feelings as well.
The affable Kleinhans, gifted with an ability to intuit the narratives that connect people, has a doctorate in experimental psychology from Rutgers University, where he taught as a professor for a dozen years. But as he wrote, “Photography eventually triumphed over psychology.”
in Woodstock, Kleinhans also worked for several years at Garry and Diane Kvistaad’s Woodstock Percussion, Woodstock art historian Bruce Weber has contributed informative single-paragraph texts of explanation that accompany each photograph,
“Woodstock Personalities,” curated by Letititia Smith, closes on July 28. The sumptuous 68-page catalog will remain.
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